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Season Collection: 3 Families, 18 Weights, 36 Styles
3 Classifications: Sans, Mix, Serif

Variable Font: 3 Axes

Weight
420
SERF
50
Italic
0
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Families

Season Sans, 12 Styles
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Bold
Season Mix, 12 Styles
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Medium
Season Serif, 12 Styles
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SemiBold

Styles

Season Collection: 3 Families

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Showcase

Features

Total: 6 Stylistic Sets, 10 Figure Sets, 5 Others

Note: Create your own version of our retail typefaces using available alternates and other open type features via our Editor.

Glyphs

Detail

Shown: 0 of 0 glyphs

Support

Languages

Afrikaans, Albanian, Bosnian, Catalan, Croatian, Czech, Danish, Dutch, English, Esperanto, Estonian, Filipino, Finnish, French, German, Hungarian, Icelandic, Indonesian, Irish, Italian, Latvian, Lithuanian, Luxembourgish, Polish, Portuguese, Romanian, Scottish Gaelic, Slovak, Slovenian, Spanish, Swedish, Swiss German, Turkish, Welsh 

opentype features
calt
Contextual Alternates
case
Case-Sensitive Forms
ccmp
Glyph Composition
dlig
Discretional Ligatures
dnom
Denominators
frac
Fractions
Character sets
  • MS Windows 1026 Latin-2 Central European
  • MS Windows 1140 Latin-3 South European
  • MS Windows 1250 Central European Latin
  • MS Windows 1252 Western (Standard Latin)
  • MS Windows 1254 Turkish Latin
  • MS Windows 1257 Baltic Latin

Under The Witch -v2025-01-10- -numericgazer- !!better!! May 2026

Overall, Under the Witch -v2025-01-10- -NumericGazer- is a compelling experiment: formally rigorous, conceptually brave, and quietly mournful. It transforms counting into conjuration and invites readers to consider whether pattern recognition is a tool for survival or a way to postpone grief. For anyone interested in contemporary crossovers between code, ritual, and lyricism, it is a work worth returning to — not for narrative satisfaction, but for the slow, fidgeting pleasure of watching sense get reassembled, number by number.

Central to the piece is the titular figure, "the witch," who is less a person than an axis. She is defined by calibrations: the number of candles, the exact hour of low tide, the tallying of names. These quantifications function as ritual and as worldbuilding. They conjure a witch whose power is proportional to enumeration — a modern sorceress for whom algorithms are charms and datasets are grimoire. This is an evocative formal choice: magic reframed as computation, superstition transposed into statistics. The result is eerie and timely, reflecting contemporary anxieties about what is gained and lost when the world is reduced to metrics. Under the Witch -v2025-01-10- -NumericGazer-

Tone is chilly but not arid. Beneath the formal restraint there's a steady thrum of longing — for meaning in a world of data, for the stubbornly human anomalies that refuse to resolve into tidy patterns. The witch's counting is at once a tool of control and a defense against loneliness; numbers become conversation, a way to keep a collapsing universe legible. The piece thereby poses an ethical question: can quantification be a genuine substitute for human connection, or is it a brittle simulacrum that ultimately amplifies isolation? Overall, Under the Witch -v2025-01-10- -NumericGazer- is a

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